The Discreet Window

Ishac Bertran’s Discreet Window took me a few minutes to grasp, but I’ve come to the conclusion that it is a rather cool piece of work. It is essentially a blind that you can control which provides feedback about your work activity, if you happen to be working from home.

As an ambient display, The Discreet Window is a membrane that communicates the work intensity to both the home-office space and the outside. The more the user works, the less light is coming inside the room. Thus, the less visual contact there is between both sides of the window.

The user operates the blind using the small spheres attached to the control cord as a switch. By matching the colored sphere on the left side with the ones on the right side, the user swaps between the four modes: open, half-open, closed and graph. Selection of the graph mode displays information gathered from the computer about the time spent on work-related activity.

This video makes it clearer (probably sounds a bit weird described just in words, I know!)

Quick Look Menus

I was very intrigued to find two separate menus on the wall of a Japanese restaurant called Yakitori Yakyudori in San Diego last week, one summarising the top 10 items typically ordered by Japanese patrons, and another for American visitors to the restaurant. It was the first time I was seeing menus tailored by nationality, and am sure it simplifies life for people who can’t be bothered to wade through the menu. It also caters to their two largest kinds of consumers. Nice touch, I thought. I’m sure there are people who’d rather decide what they want for themselves, but let’s be honest – top 10 lists are always fun, and in this case even useful, to read. For a restaurant, those two boards made it unique, for me at least.

Age of Conversation 3: Coming Soon!

Age3cover

After the Age of Conversation 1 & 2, Drew McLellan and Gavin Heaton have joined forces yet again to present the Age of Conversation 3: It’s Time To Get Busy. For those who aren’t familiar with AOC, it is a collection of thoughts about how the global marketing landscape is changing over time, written by over 300 people across the world who work in the advertising, marketing, social media, education and technology industries in one way or another. This edition of the book includes a chapter by me (!) and is broken into the following chapters:

  • At the coalface
  • Conversational branding
  • Influence
  • Getting to work
  • Corporate conversations
  • Measurement
  • In the boardroom
  • Pitching social media
  • Innovation and execution
  • Identities, friends and trusted strangers

The first couple of books were published via Lulu.com, but this time Channel V Books has graciously stepped in to offer their expertise. All profits from the sale of the book will go to the Make-A-Wish Foundation. Details about how to buy will be up soon – keep an eye on this page. The cover art was designed by Chris Wilson, and the new Age of Conversation website was made possible by the folk at Sticky. Last but not least, I’d like to present the talented people who have contributed their time and effort to writing chapters for AOC3:

Adam Joseph Priyanka Sachar Mark Earls
Cory Coley-Christakos Stefan Erschwendner Paul Hebert
Jeff De Cagna Thomas Clifford Phil Gerbyshak
Jon Burg Toby Bloomberg Shambhu Neil Vineberg
Joseph Jaffe Uwe Hook Steve Roesler
Michael E. Rubin anibal casso Steve Woodruff
Steve Sponder Becky Carroll Tim Tyler
Chris Wilson Beth Harte Tinu Abayomi-Paul
Dan Schawbel Carol Bodensteiner Trey Pennington
David Weinfeld Dan Sitter Vanessa DiMauro
Ed Brenegar David Zinger Brett T. T. Macfarlane
Efrain Mendicuti Deb Brown Brian Reich
Gaurav Mishra Dennis Deery C.B. Whittemore
Gordon Whitehead Heather Rast Cam Beck
Hajj E. Flemings Joan Endicott Cathryn Hrudicka
Jeroen Verkroost Karen D. Swim Christopher Morris
Joe Pulizzi Leah Otto Corentin Monot
Karalee Evans Leigh Durst David Berkowitz
Kevin Jessop Lesley Lambert Duane Brown
Peter Korchnak Mark Price Dustin Jacobsen
Piet Wulleman Mike Maddaloni Ernie Mosteller
Scott Townsend Nick Burcher Frank Stiefler
Steve Olenski Rich Nadworny John Rosen
Tim Jackson Suzanne Hull Len Kendall
Amber Naslund Wayne Buckhanan Mark McGuinness
Caroline Melberg Andy Drish Oleksandr Skorokhod
Claire Grinton Angela Maiers Paul Williams
Gary Cohen Armando Alves Sam Ismail
Gautam Ramdurai B.J. Smith Tamera Kremer
Eaon Pritchard Brendan Tripp Adelino de Almeida
Jacob Morgan Casey Hibbard Andy Hunter
Julian Cole Debra Helwig Anjali Ramachandran
Jye Smith Drew McLellan Craig Wilson
Karin Hermans Emily Reed David Petherick
Katie Harris Gavin Heaton Dennis Price
Mark Levy George Jenkins Doug Mitchell
Mark W. Schaefer Helge Tenno Douglas Hanna
Marshall Sponder James Stevens Ian Lurie
Ryan Hanser Jenny Meade Jeff Larche
Sacha Tueni and Katherine Maher David Svet Jessica Hagy
Simon Payn Joanne Austin-Olsen Mark Avnet
Stanley Johnson Marilyn Pratt Mark Hancock
Steve Kellogg Michelle Beckham-Corbin Michelle Chmielewski
Amy Mengel Veronique Rabuteau Peter Komendowski
Andrea Vascellari Timothy L Johnson Phil Osborne
Beth Wampler Amy Jussel Rick Liebling
Eric Brody Arun Rajagopal Dr Letitia Wright
Hugh de Winton David Koopmans Aki Spicer
Jeff Wallace Don Frederiksen Charles Sipe
Katie McIntyre James G Lindberg & Sandra Renshaw David Reich
Lynae Johnson Jasmin Tragas Deborah Chaddock Brown
Mike O’Toole Jeanne Dininni Iqbal Mohammed
Morriss M. Partee Katie Chatfield Jeff Cutler
Pete Jones Riku Vassinen Jeff Garrison
Kevin Dugan Tiphereth Gloria Mike Sansone
Lori Magno Valerie Simon Nettie Hartsock
Mark Goren Peter Salvitti

Earth Hour 2010: 27th March

If you hate looking at buildings which have 100% of their lights on at nights with hardly a soul in them because of the sheer amount of electricity that goes waste, then you’ll probably like to be part of Earth Hour, organised by the WWF. After last year, when people in more than 3,000 cities and 80+ countries switched off for Earth Hour, the time comes upon us again tomorrow, the 27th March, at 8.30 p.m. People, businesses and even iconic buildings are set to switch their lights off for one hour to send the message that climate change needs to be considered seriously by their governments.

Sign up to show your support here. There are also a number of other ways you can help – take a look here.

This video shows you how some of the world’s cities will look like during Earth Hour when some of their most famous buildings go dark:

And now, SxSW-wards!

I’m heading to SxSWi today and will be quiet on this front for a couple of weeks as I’m taking a few days off after. However, I expect to be very active on the Made by Many site during SxSW. Our new homepage, designed specially for SxSW, goes live today – so keep an eye on stuff I’ll be saying there as I go into information overload mode at the talks, discussions and evening events!

See if you can spot me in the homepage design below 🙂

The Manganiyar Seduction

Last week, I saw the Manganiyar Seduction, a performance by the Manganiyars, a tribe of Rajasthani Muslim folk musicians, at the Barbican Centre. Visualise four tiers of curtained boxes ringed with lights. Then imagine each ‘window’ opening and lighting up to reveal a musician over the course of 75 minutes, one by one. The crescendo of the performance, by which time all 40 boxes were opened, a variety of Indian instruments were being played by the artists simultaneously and the lights assumed a character of their own, was really a sight to behold.

Roysten Abel, the director, visualised the production as being a combination of the intrigue induced by a red-light district, and the mystery and elegance of Indian palace windows where women would view processions in the olden days ‘while unwittingly becoming subjects of voyeurism themselves’.

Two completely different ideas inspired Abel to create something that on being described to someone for the first time might have sounded daft. Yet he pulled it off.

I think it’s a nice example of what Faris says here:

Fundamentally, I do not believe creativity can come from nothing. In fact, I don’t even think ‘originality’ can even mean that.

If something truly had no referent elsewhere in culture – how would we even understand it?

Presenting Thierry Mugler’s Womanity

Last Friday, I was invited to a special preview of a new site by Thierry Mugler that was launched yesterday, on the occasion of International Women’s Day. It’s called Womanity and it aims to be a canvas of women’s thoughts, ideas, and feelings. Thierry Mugler isn’t new to experimenting with digital media: a couple of years ago, he was the creative force behind his Blog Galaxy. Since then, his mainstream design work has taken a backseat to the more creative design he’s been doing with people like Beyoncé for her current tour, and George Michael’s 2Funky video. But he’s maintained throughout that he’s wanted to do something avant-garde on the web, and Womanity seems to be that.

In its first avatar, Womanity is a platform for participation by women. It doesn’t presume that it will be the next social network: Mugler seems to be clear that places like Facebook and Twitter are where people are, and there’s no point trying to get them to come elsewhere (smart). So it merely gives women the tools to air their feelings about womanhood: ladies can upload videos, photos and text which they can then share with their wider networks on the web.

I was most intrigued by the amount of control they seem to have ceded to their users. They have a partnership with MSN who will help moderate the content uploaded, but otherwise, people don’t even need to be registered to upload content, for example. I don’t think any luxury brand in the past has demonstrated that level of openness, and I think that by doing this Thierry Mugler is paving the way for an alternative way of operating, for luxury brands.

I also like the mood board. It reminds me of Etsy’s Shop by Colour mood board, but here of course the context is very different. We were told that on a never-ending canvas like Womanity, it may be difficult for people to focus and search for things, so they decided that by colour-coding what people feel when they’re active on the site, it will help the the discovery of content in a much more female-tuned way. I often search for stuff by colour, and it’s a nice piece of insight into how women think.

They aim to have a range of content curators going forward – apart from MSN, Tim Burton’s Alice in Wonderland is among their initial partner relationships, which is nice for the film-buffs! It also shows that they’ve planned for the future to some extent. This is merely the beginning though – women are going to mould what happens with the site, and products they help design could be an outcome…no one knows at this stage. As I said, the site is really going to cede control to women, which could have exciting results.

Thierry Mugler has for a long time now had a very alternative way of building their community : they have about 1 million women who are part of their ‘inner circle’, so to speak, who receive news about product launches in advance, and samples as well. With Womanity, the brand hopes to expand this to women across the world – and web – to celebrate the spirit of womanhood.

Women of the world, go take a look.

Art is Art, by any name

These videos by Dvein from 8deagosto for Xcentric, an organisation that promotes experimental cinema in Barcelona, remind me a lot of the BBH Labs-Glue London collaborative work for Google Chrome in Europe. Both feature a short set of films that are very visual and arresting. Dvein’s work is poetic: the videos will serve as headers for different sections of an exhibition of Spanish film being curated by Xcentric, while the BBH Labs’ work seems much more handmade (or maybe that’s just me – one video features knitting, for example), despite being commercial.

I know that the BBH Labs work did not involve any special effects (probably a reason I feel the videos are ‘handmade’ – because they literally are!), whereas the Dvein work I’m pretty sure is a combination of real video and special effects. They’re both awesome.

Here are examples of both (more of Dvein’s work here).

Google Chrome: