Brain Tap Series – Interview 15: Jonathan Salem Baskin

On the Brain Tap series this week, may I introduce you to Jonathan Salem Baskin, president of Baskin Associates Inc., a consultancy that works with clients to make branding and marketing go above the remit of words and images. Jonathan’s work involves partnering with alliance companies in North America, Europe and Asia to integrate specialty skills to his projects – business intelligence, retail research, web development, design etc. He also has a joint venture with Quiet Storm in the UK. In addition, he is the author of the just-released Branding Only Works on Cattle: The New Way to Get Known (and drive your competitors crazy).  

The interview: 

1. From your experience working with brands around the world, what is the most crucial issue affecting marketing today? 
I think brand marketing is at a crossroads.  
We have forever pursued a definition of brands as a stand-alone from the other measures and statistical controls used elsewhere in the enterprise.  Branding has always been something fundamentally “different” from how, say, the supply chain was structured, or human resources functions managed.  Our fundamental conceit was that we — through our branding — could tell consumers what to think and, more importantly, attach feelings to products and services.
Now, with the invention of more targeted, real-time, and/or diffuse ways of communicating, it’s become harder to prove not just the relevance, but perhaps the very existence, of a brand marketing function separate from the rest of the activities in which a company (or its consumers) engage.  The real-time, 24/7 mediasphere in which we all live means that people no longer consume marketing, or engage with brands, as much as branding emerges from their experiences. 
So the issue is this: does brand marketing choose to redefine itself and find a new model for branding, or will we further distance ourselves from the enterprise with more extreme and rarified defenses of our beliefs?  
2. Name a case study that details a brand’s turnaround and its subsequent success with consumers. 
Well, I don’t think any brands turn around, per se: businesses do, and the brand marketing needs to follow it, not precede it.  
One notable example would be Xerox.  This company found itself effectively in a buggy-whip business (centered on device manufacturing), yet transformed its business model into information management (it’s largest revenue and profits last quarter came from consulting).
It was only after this reinvention that the company turned to a hoity-toity branding firm to refresh its branding.  In fact, it accomplished its turnaround under the umbrella of its ‘old’ brand. 
3. Name a campaign or event that you wish you’d been a part of.
The viral transmission of the QuickTime player via the trailers for the first of the second-generation “Star Wars” flicks.  This was one of the first, and most elegant, marriages of product and service, and drove trail (and subsequent adoption) via experience.  Simply brilliant.
4. Do you think that for brands to reach out to a young consumer base today, it has to have a digital component to its campaign? Why or why not?
Nope.  “Digital” is a term like “hip” or “with it,” and I think we’re going to look back at today’s utilization of the medium and laugh.  It is simply a means to an end, and I think we often forget the ultimate purpose for digital, or any other tool: sales.  I think we’d be shocked now (and, hopefully, laugh someday) if we added up two columns of marketing expenditures at a typical business that reaches out to a young consumer base today: first, one column would contain the total money spent on promoting digital “conversations” of various kinds, while the second would be money spent on more crass, direct sales efforts.  I’d make both numbers ratios by adding actual sales results under each.  OOPS, the conversation column would not yield a number, because we can’t link it to any business result, other than the self-referencing, heretofore mentioned “conversations.”
Ads, promotions, publicity, billboards, digital…nothing is a ‘have to’ without a purpose.
5. Apart from the internet and mobile phone, what has the single most important creation of the media and technology industries been in your lifetime and what impact has it had on your life so far?
Post-It Notes.  The physical stickies enabled me to literally ‘tag’ items in the real-world; they were the first artifact to enable experience of reality as hyper-media.  
6. Where do you derive inspiration for your work from?
I like to merge input from a variety of non-marketing sources, especially the sciences and arts. It’s far too easy to focus in on a subject area and lose sight of the context, not to mention the history that has lead up to it.  I’m inspired by the life of Buckminster Fuller, who showed that an individual can assume a priori to have something to offer to the world, and then spend a lifetime creating meaning and value through incessantly asking questions and being open to finding the answers…wherever and however they may arise.
7. If you could live in any part of the world, where would it be and what would you expect to achieve from the experience?
London, because the city (and country) is in a position to lead the other Western countries into a post-industrial future (and, in doing so, somewhat revive its pre-industrial past).  It would be fascinating to participate in the cultural and other experiential qualities of that transition, which is farther along there than in the U.S.
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Thanks very much, Jonathan!

Ruminating on Ad:tech London

At Ad:tech London last week, I attended a couple of talks that gave me a new perspective to the industry. One was the talk by the guys from Bebo, who spoke about how to successfully promote a brand on social networks. Now I’m not a user of Bebo, so I found it interesting that a social network like them has executed on advertising in a completely different way to Facebook. The main mode of advertising on Bebo is not so much in-your-face (boxed ads that say ‘buy this’, for example) as through the sponsorship of an idea that appeals to teens and young people. Bebo is the only social network that actually runs mini-reality-shows themselves. For one of these, called The Gap Year, a number of brands came in to give the opportunity to 6 young people to take six months off travelling around the world, all expenses paid. Their travails became the reality show, telecast on Bebo only. It wasn’t an amateur show either – the people who made Big Brother are the ones who helmed this. I think this is an interesting way of reaching out to their huge user base. It reminded me of Skype’s Nomad programme though – except for the fact that the Gap Year initiative was on Bebo and the Skype Nomad thing was primarily publicized through a blog. A social network has a more captive user base than a blog, so from a publicity point of view, the Bebo initiative makes more sense. 

Other examples of brand presence on Bebo are Trident, who are holding the ‘Mess with your head’ competition, and Fanta – those are less exciting as they are regular competitions. 
The other interesting seminar I got to listen to was about the influence of widgets at Chinwag’s Micro Media Maze. The panel – Miles Davis, SVP European Advertising Sales at Last.fm, Umair Haque, Director of Havas Media Lab (and a pretty smart guy – check out his blog Bubblegeneration), Nick Halstead, CEO and Founder of fav.or.it, and Steve Bowbrick, internet manager and entrepreneur, all had a strong point of view on the subject. The key takeaway for me was the fact that widgets need to be open-source, like the ones that can be created at build.last.fm, and they should add value to the user. Umair Haque especially reinforced this point by saying that widgets impose a cost on the user (a time cost, I assumed), and that contrary to the system of old where people consumed ads through a one-way channel, nowadays media has a responsibility to add value to consumers as most communication originates from the consumers themselves. An interesting recommendation that came out of the talk was the potential for something like an eBay-last.fm mashup widget. Think about it. Interesting, isn’t it?

Seen around London

Two interesting pictures I clicked yesterday – one is a poster I saw in front of Cards Galore on the Strand, which is having a sale. Someone’s obviously having a laugh. If I were them, I’d place the ‘Sale’ note a little more sensibly. I don’t think they want to be known as a PERMANENT discount cards store, do they? 

The other is a very sexy poster for Leon’s chain of restaurants. It reminded me a bit of Brigitte Bardot in Jean-Luc Godard’s ‘Contempt’. Summer’s pretty much gone, but a poster like that can make you believe it’s still here. 

Harvest Twestival

So Harvest Twestival last night was super fun and very noisy. Some lucky people won things like an iPod Nano (no, not me…sigh!!!). Charlie Gower was nice enough to give me the ‘Wearing my Twitter T-shirt’ tee that he won, because it was the wrong size for him, so at least I got that – thanks Charlie! I was surprised to note that it was made by American Apparel, who apparently have an entire Twitter range over here. That’s a really impressive take-up of a social media site by a brand – and given my knowledge of the Twittersphere, I suspect that there will actually be a decent audience for it! There were tons of people at the Twestival that I follow on Twitter, so it was nice to finally put faces to names. 

I don’t think many people could hear it among the din, but Ben Walker, who I think has a really nice voice, also provided some entertainment by performing his Twitter song. It’s called ‘You’re no one if you’re not on Twitter’ (and it has some very funny lyrics!!). Listen to it here:

Will the twin metros help British Airways?

When this goes live, I’ll start exploring it to see if it’s that much different from other rank-and-recommend sites. British Airways is creating a social media network called Metrotwin, which is to act as a virtual bridge between London and New York, one of the airline’s busiest sectors. It will allow users to rate the best restaurants, bars, neighbourhoods and so on  in each city, let them to recommend a ‘twin’ for places they like and will also recommend places to go to based on users’ likes and dislikes. The twinning concept for cities is well-known, but for BA to undertake something like this in the hopes of re-vamping their really negative global image, is – hopeful, perhaps. The project itself has potential though.

Purpling it up

Apparently I didn’t notice when Yahoo! went into severe make-over mode with their Purple scheme. They’re doing a bunch of things to make people notice them. I’m just not sure how much of it IS being noticed, unfortunately, though some of their initiatives do sound interesting:

1. They’re encouraging people to Start Wearing Purple
2.Yahoo! for Good, their community foundation, is disbursing grants to deserving people through a programme they calle Purple Acts of Kindness.
3. They’ve set up the Yahoo! Purple Photo Booth on Flickr to celebrate images of all things purple.
4. They’re selling Yahoo! Purple T-shirts on the company web-site.
5. They’re getting on with the Yahoo! Purple Pedals project where they have a camera on cycles that go around the city, that takes a picture every 60 seconds, which are then tagged and uploaded to Flickr to document the bike’s journey. This, to me, is probably the most innovative part of the whole campaign. 
It’s drawn some criticism – people saying that they’re trying to be like the iPod when they’re actually like a Mac (!!), but to be honest, it’s not all bad. As opposed to Apple and Microsoft which are, as we know, indulging in some friendly media fighting, Yahoo!’s chosen not to get involved in any competitor wrangling and is instead forging a new identity for the brand. While not a completely unique approach, I don’t think they had a choice, unless they wanted to start a Yahoo!-Google match of their own. Given that, and the fact that they actually are acquiring or coming up with decent stuff of their own (Upcoming, Flickr, Fire Eagle, Brickhouse), it’s not like they’re all smoke and no substance. For the first time, I feel that Google’s colourful branding has some competition, however small.

Watching what you eat

I wonder what it would be like to eat in the Restaurant of the Future, knowing that all your moves are being tracked. It’s a restaurant on the campus of the University of Wageningen in the Netherlands that aims to track the eating habits of its visitors, but to a level that, at least for me, is unheard of. It will analyse your decisions of what you eat and drink, and how your behaviour changes given a certain impetus, such as the placement of fresh flowers on your table. Facial recognition systems will decipher your response to eating a particular food. The amount of time you take to select what food to eat is also analysed. The aim is to research all these issues and provide answers to the food industry. 

[Image and article via Arthur Max in USA Today, via Putting People First]

The animated version of YouTube

Channel 4 has created a site called 4mations.tv, along the lines of YouTube, that purports to be the animator’s site of choice to upload free videos. It’s pretty basic for now, but they should be able to bolster it in the months to come. Some of their key ‘products’, so to speak, are videos based on a magazine called Hate!, which is of course an antithesis to all those celebrity magazines like OK! and Hello! and everything else with an exclamation. Funny.

Exploring the world of the otaku

I found this rather intriguing article that chronicles the rise of the ‘otaku‘, or geek, in Japan. Prime Ministerial candidate Taro Aso is apparently an otaku himself, and thanks to the Western fascination for Japanese manga and other otaku-related stuff, the term is slowly changing the connotation that it has had so far in Japan – that of a group of people who are a slur on society. I’ve always been interested by the idea of tribes, and otaku are a great example of a tribe that draws from other worlds while simultaneously trying to live in the present. I wonder what it must be like to be one of them, given that they are mostly young (20-30 years old, I gathered from the article). Are they a tribe that is slowly being extinguished, or will they increase in the years to come? Unlike university students who can band together in the same geographical space to protest or support a cause, how do these people congregate? Does social networking have a role in strengthening their band, or is that too much a phenomenon of this world?